Friday, November 7, 2008
Pt. Ajay Pohankar - Dhwani 2008
1. Raag Rageshree - Vilambit and Drut
2. Raagamaala
3. Bhajan
Monday, November 3, 2008
Pt. Ajay Pohankar
In the year 1948 at Jabalpur, a small town in Madhya Pradesh, a child took birth to be named as Ajay. His inclination towards music was natural as at the age of ten when other children of his age were fond of playing, Ajay was deeply engrossed in exploring the intricacies of ragas. It was destined to be so since his mother, Dr.Smt. Sumeet Pohankar of Kirana Gharana groomed her child. He was fortunate to have occasional interactions with the great Ustad Amir Khan too.
Pt. Ajay Pohankar, as he is known today, is the most sought out artistes for his deep involvement and aesthetically well structured presentation of notes in whatever form the composition is set. Bestowed with rich melodious voice with full command over modulation, his singing reflects the maturity woven with wide range of emotions he creates in his listeners. Be it an aesthetic élan pertaining to the Indian Classical music, devotional appeal for the divine or experimentation with various musical aspects, Pt. Ajay Pohankar has created his niche in all the fields.
I've attended the following concerts:- Dhwani 2008, 5th BKF, Mallikajun Mansur Music Festive Sep 20-21, 2008.
Wednesday, October 29, 2008
Pt. Samaresh Cahudhury - Dhwani 2008
1. Raag Bairagi
2. Raag Todi
3. Thumri
Samaresh Chaudhury
Pandit Samaresh Chowdhury is one of very few distinguished, younger generation classical vocalists of our time. Polished as it is, his vocal technique is primarily a testament to the rigorous training and grooming of his early years. Son of the famous “Sangeetacharya” (an honorific title for great accomplishment in music) the late Amaresh Chowdhury, Samaresh Chowdhury began his early training under the strict supervision of his illustrious father.
Later, he entered into pupilage with the world-famous sitar maestro Pandit Ravi Shankar who swiftly recognised his talent and deep commitment to classical music. His ability to bring a refined freshness and spontaneity to raags that have already been sung thousands of times over hundreds of years, made Samaresh Chowdhury, with is extraordinary range and control over the octaves, stand out for listeners and critics, alike.
I've been to the following concerts of Pt. Samaresh-ji
Wednesday, September 24, 2008
Jayateertha Mevundi - Dhwani 2008
1. Raag Puriya2. Raag Shahana Kanada
3. Thumri
4. Kannada Bhajan (Purandara Daasa)
Shruti Sadolikar - Dhwani 2008
1. Raag Maru Bihag
2. Raag Kaunsi Kanada
3. Thumri (Bhairavi)
Shruti Sadolikar
Shruti hails from Mahārāshtra. At her early age, she started learning classical music from her father, Pandit Wāmanrāo Sādolikar, who was a disciple of the Jaipur-Atrauli Gharana founder, Ustad Alladiya Khan, and his son Ustad Bhurji Khan. Shruti then trained for twelve more years under Ustad Gullubhāi Jasdanwāllā, who was renowned for his repository of rare compositions and complex Ragas of the Jaipur-Atrauli Gharānā. Shruti continues to learn from Ustad Bhurji Khan's son Ustad Azizuddin Khan. (More here, including a couple of audio clips)
Jayateertha Mevundi
Jayateerth Mevundi hails from the land of great vocalists and maestros of Hindustani Classical Music, like Pt. Bhimsen Joshi, Dr. (Mrs.) Gangubai Hangal, Pt. Mallikarjun Mansur, Pt. Basavraj Rajguru and Pt. Kumar Gandharva and so on. Born in the year 1972, Jayateerth, according to many connoisseurs and critics of Hindustani Classical Music, is considered to be a torchbearer of Kirana Gharana.
Jayateerth received his initial training in music under the tutelage of Sangeet Ratna Pt. Arjunsa Nakod of Gwalior Gharana for about 10 years. Since the year 1994 on wards he has been receiving musical lessons under the able guidance of Pt. Shripati Padegar, who is a disciple of great vocalist of this country, Pt. Bhimsen Joshi of Kirana Gharana.
Friday, August 15, 2008
ShivkumarSharma-BarkhaRitu-14Aug08
1. Raag Megh
2. Raag Desh
DevakiPandit-BarkhaRitu-14Aug08
Ms. Devaki Pandit performed at Chowdiah Memorial, Bengaluru on 14 Aug 08, as a part of Barkha Ritu music festival. She is accompanied on the tabla by Sri. Ravindra Yavagal and on the harmonium by Sri. Vyasmurthy Katti.
1. Raag Gaud Malhar
2. Raag Sur Malhar
3. Raag Suha Malhar
4. Kajri
Shivkumar Sharma
I was fortunate enough to attend the following concert(s):
Devaki Pandit
Here are the concerts that I've video clips of:
Sunday, April 20, 2008
Prabhir Bhattacharya Gururao Deshpande Sabha Jan'08
1. Raag Chaarukeshi
Nachiketa Sharma Feb'08
1. Raag Bhimpalas
2. Raag Tilak-Kamod
3. Raag Shiva-Abhogi
4. Kannada Bhajan (Bartiraa ...)
- Part-1
6. Kannada Bhajan (Vacahna)
7. Marati Naatyageet (Bhairavi)
Sanjeev Abhyankar Jan'08
1. Raag Ahir Bhairav
2. Raag Chaarukeshi
3. Bhajan
4. Raag Miyan-ki-Todi
5. Raag Megh
Pt. Venkatesh Kumar Bengalooru Habba Dec'07
1. Raag Puriya Kalyan
2. Raag Hamir
3. Kannada Bhajan
4. Basavanna's Vachana
5. Vachana
Hariprasad Chaurasia Gururao Deshpande Sabha Jan'08
1. Raag Jhinjoti
2. Raag Saraswati
(The audio CD of this concert is available in Music Stores in Bangalore)
Ashwini Bhide Gururao Deshpande Sabha Jan'08
She sung Raag Malkauns and Raag Aarabhi.
1. Raag Malkauns
2. Raag Aarabhi
3. Bhajan
Ashwini Bhide Bengalooru Habba Dec'07
In this concert she sung Raag Yaman, Raag Jaijaivanthi and a few bhajans. Here are the links to the video-clips:
1. Raag Khem Kalyan:
2. Raag Jayajayawanti:
3. Bhajan:
4. Abhang:
Gururao Deshpande Sabha 2008
The following artists performed at the sabha in their 2008 edition.
- Prabhir Bhattacharya - Sitar
- Smt. Ashwini Bhide-Deshpande - Vocal
- Mysore Sri. M.Nagaraj - Violin (Carnatic)
- Pandit Hariprasad Chaurasia - Bansuri
- Pt. Ullas Kashalkar - Vocal
- Pt. Vinayak Torvi - Vocal
Bengalooru Habba 2007
SurSagar Varshikotsav 2007
Sanjeev Abhyankar
I've attended the following concert(s):
Prabhir Bhattacharya
I've attended the following concerts:
Vishwa Mohan Bhatt
Creator of the MOHAN VEENA and the winner of the GRAMMY AWARD, Vishwa Mohan has mesmerized the world with his pristine pure, delicate yet fiery music. It is due to Vishwa's maiden mega effort that he rechristened guitar as MOHAN VEENA, his genius creation and has established it at the top most level in the mainstream of Indian Classical Music scenario, thereby proving the essence of his name VISHWA (meaning the world) and MOHAN (meaning charmer) and indeed , a world charmer he is.
Being the foremost disciple of Pt. Ravi Shankar, Vishwa Mohan belongs to that elite body of musicians which traces its origin to the Moughal emperor Akbar's court musician TANSEN and his guru the Hindu Mystic Swami Haridas. His official web site is here.
I' ve attended the following concert(s):
Rahul Sharma
I've attended the following concert(s):
Nachiketa Sharma
I've attended the following concert(s):
Kushal Das
Kushal started his talim from the age of six. He received intensive and rigorous training in advanced sitar techniques and the art of music making under the affectionate guidance of Prof. Sanjoy Bandopadhyay, the renowned sitar maestro and academician. He also had the proud privilege of having learnt from great musicians like, Pt. Manas Chakraborty, Pt. Ramkrishna Basu and Late Pt. Ajoy Sinha Roy. Official home page of Kushal Das is here.
I've attended the following concerts of Kushal Das:
Kaushiki Chakrabarty
Born in 1980 in the campus of Sangeet Research Academy, Kolkata, Kaushiki Chakrabarty is now a scholar of this great centre of lndian Cultural learning. The gurus of the Academy repose a great hope in Kaushiki and have blessed her for a glorious musical future.
Kaushiki's mother, Chandna Chakrabarty was her first guru noting that she could reproduce virtually any musical and rhythmic phrase when she was only two years old. Kaushiki then became a "ganda-bandh" shagird (disciple) of her father's guru, Jnan Prakash Ghosh, according to India's ancient system of guru-shishya parampara. On account of the old age of her guru and with his consent, she resumed her training under her father, Pandit Ajoy Chakrabarty.
I've attended the following concert(s):
Venkatesh Kumar
I've attended the following concert(s)
Hariprasad Chaurasia
I was fortunate enough to attend the following concerts:
Ganapati Bhat
Rajguru accepted Panditji as a 'shishya' only after a six-month observation period: Panditji had casually walked from across his room into Rajguru's home to ask this. Rajguru never took a fee. But being a 'shishya' meant learning music only when the 'guru' taught and lugging around Rajguru's giant pot of drinking water from his hometown Dharwad on his concert tours!
At his Gurukul, 15 students learn music living with him like family; poor students are given scholarships. A advocate of the 'guru-shishya parampara', he says: "No performing art can be achieved in a classroom or university system of teaching."
I have attended the following two concerts of Ganapati Bhat:
Thursday, April 17, 2008
Smt. Ashwini Bhide-Deshpande
I was fortunate enough to attend the following concerts:
1. Smt. Ashwiniji performing at Bengalooru Habba (Dec'07)
2. Smt. Ashwiniji performing at Gururao Deshpande Sangeetha Sabha (Feb'08)
Monday, April 14, 2008
Welcome
I've a good collection of video clips from live concerts at Bangalore. Most of these have been in Youtube. This blog attempts to organize the same in a better way and to notify rasikas whenever I upload a new concert.
RMoudgalya